Harps of God
Now when he had taken the book, the
four living creatures and the twenty-four elders fell down before the
Lamb, each one having a harp, and golden bowls
full of incense, which are the prayers of the saints.
They sang a new song, saying, "You
are worthy to take the book, and to open its seals: for
you were killed, and bought us for God with your blood, out of every
tribe, language, people, and nation, and made us kings and priests to
our God, and we will reign on earth." (Revelation 5:8-10)
I saw, and behold, the Lamb standing
on Mount Zion, and with him a number, one hundred forty-four
thousand, having his name, and the name of his Father, written on
their foreheads. I heard a sound from heaven, like the sound of many
waters, and like the sound of a great thunder. The sound
which I heard was like that of harpists playing on their harps.
They sing a new song before the throne, and
before the four living creatures and the elders. No one
could learn the song except the one hundred forty-four thousand,
those who had been redeemed out of the earth. (Revelation 14:1-3)
I saw another great and marvelous
sign in the sky: seven angels having the seven last plagues, for in
them God's wrath is finished. I saw something like a sea of glass
mixed with fire, and those who overcame the beast, his image, and the
number of his name, standing on the sea of glass, having
harps of God. They sang the song of Moses, the
servant of God, and the song of the Lamb,
saying, "Great and marvelous are your works, Lord God, the
Almighty! Righteous and true are your ways, you King of the nations.
Who wouldn't fear you, Lord, and glorify your name? For you only are
holy. For all the nations will come and worship before you. For your
righteous acts have been revealed." (Revelation 15:1-4)
In Revelation, harps are associated
with either the new song or the two consecutive songs, one of Moses
and the other of the Lamb. Harps are first mentioned as being in the
possession of representatives of humanity arrayed around the throne
of God in heaven. But soon the harps are heard being used by so many
that the music becomes like many waters and great thunder it is so
pervasive.
The last mention of harps is highly
significant. They are in the possession of those who, from all the
evidence involved, are people who have learned how to sing and play
their harps just like Jesus. This involves prayers and praises that
become so well tuned and effective that it becomes the means of
toppling the entire empire of evil. These people are accomplices who
have have been mentored by the Lamb and tutored by Him until they can
effectively accompany Him, His personal orchestra that overcomes and
defeats the cacophony of dissonance put out by the dragon and his
agents.
Harps apparently represent sweet music
that accompanies and reinforces the prayers and praises of the saints
represented by the incense in the sanctuary. Thus we find a link to
anywhere a censer is mentioned or the Altar of Incense is referenced.
Harps are a significant instrument in
Revelation and run as a thread throughout Scripture. See Harps
document for a complete list of passages
relating to harps.
A New Song
What is important about the nature of
the song referred to in Revelation that is connected with harps?
Those singing this new song are the
same ones whose prayers are viewed as incense. The focus of the song
when it is first mentioned is on the Lamb and how His death in some
way won their trust in Him. It refers to Jesus coming to where we
live and risking His life to get our attention through making God
vulnerable to hateful, resentful human beings. As a result of this
huge risk that cost Him His life at our hands, we are made kings and
priests to our God. What kind of amazing song is this? And what kind
of God is this song talking about?
There are potent insights that need to
be mined from the passages relating to this new song. There is a
boldness lurking behind the stunning humility of the Lamb that if
ever caught sight of is so inspiring that it would compel us to
follow such an amazing leader. Yet because He chooses to be portrayed
as a lamb instead of a violent conquerer, it is all too easy to miss
seeing the raw courage and boldness that it took to maintain such
humility and vulnerability in the face of betrayal and overwhelming
violence.
The next mention of the new song is in
reference to the 144,000 where we learn that no one else can sing it.
Again it is directly linked with the idea of redemption. But the
original word actually means their trust was won by the Lamb when He
came to the town square and risked everything to live among them and
show them true love. This is a repeat of the same message as the
previous reference so far as the content of the song is concerned.
But more clues are now added to the song in this instance.
These are those who were not
defiled with women, for they are virgins.
These are those who follow the Lamb wherever he goes.
These were redeemed by Jesus from among men, the first
fruits to God and to the
Lamb. In their mouth was found no lie,
for they are blameless. (Revelation 14:4-5)
Here we start to see compelling reasons
why no one else can learn this song. Yet as always we must be careful
to not jump to premature conclusions when reading this. Our
prejudices too often blind us to the real meaning hidden beneath the
surface, for when we run with our own ideas and interpretations we
miss the real point of what Scripture is trying to get across to us.
Because Revelation is all symbolic, we
can be confident this is not talking about physical defilement from
literal women nor physical virginity. So what does this mean? It must
be very important if it is part of the content of this song. Whatever
these things imply, they are quite likely truths we are unfamiliar
with or else the song would not be new to us.
Currently there is debate over the
story of the fall and who did what or said what concerning Eve being
deceived and Adam choosing to disobey God thus bringing death into
the world. I am not seeking to assert a hard position on whether or
not Eve used words to convince Adam to join her in eating the
forbidden fruit. What is clear is that God told Adam that the curse
that would come on the ground was because he listened to the voice of
his wife.
To Adam he said, "Because
you have listened to your wife's voice, and have eaten
of the tree, of which I commanded you, saying, 'You shall
not eat of it,' cursed is the ground for your sake. In toil you will
eat of it all the days of your life." (Genesis 3:17)
Many presume that this implies that
Adam obeyed words of his wife over obeying God. That is possible,
however there is no record of her saying anything to Adam. So what
else might explain this?
The words that are recorded are those
of Eve's conversation with the serpent as he deceived her into eating
the fruit. Did Adam overhear that conversation? We don't know for
sure and must be cautious not to take a hard position. But if Adam
did hear even a part of that conversation and yet failed to
intervene, knowing what he knew about how God had warned them, he
would be far more guilty than Eve. This is why Paul later declares
that it was Adam's sin that brought death into the world.
Whether Adam was complicit in allowing
Eve to be deceived by not asserting himself into her conversation
with the enemy, or whether he allowed her to persuade him to value
her above love for his Creator we cannot be sure. Either way, Adam
became defiled because of how he improperly related to the voice of
his wife and as a result the sin and death gained access to our
world.
This sheds far more light on why this
might be a key issue at the end of this world's history, for the
original problem must be rectified. Yet this will never come about by
blaming women for all our problems which has too often been the case.
This is what Adam after ingesting the spiritual poison of rebellion
against his Creator and becoming infected with the deadly virus of
selfishness. When offered an opportunity by God to confess what he
had done and to change his attitude only a short time later, instead
of answering honestly the questions put to him by God about how all
this started, instead of acknowledging the uncomfortable truth he
began to blame his wife as well as God for his choice to disobey.
This is the core problem and is what must be dealt with effectively
in order to break the powerful curse that hangs over this world.
Continuing to Blame women only exacerbates our fallen condition and
is itself a symptom of the defilement involving women referred to in
this verse.
Notice that not only are these people
not defiled with women – in other words, they choose to remain
trustful in the Lamb more than anyone else, including their wife or
any other attraction – but they also are not caught up in blaming
like Adam did. Too often we assume that blameless means someone has
no faults or weaknesses. But being blameless is really about breaking
free and being delivered from the roots that cause us to blame others
instead of accepting full responsibility for our own choices and
actions. These who sing a new song are no longer blaming anyone for
anything but are focused entirely on the Lamb and no one else. This
is why it is impossible for anyone else to learn this song, for it
requires total honesty and transparency which is something very few
are willing to embrace.
Further we are told there is no lie or
deception in their mouth – their communications. When Adam shifted
the attention away from himself to Eve by blaming her for his own
choice to sin, he was really engaging in lies in order to escape
punishment. Yet his very presumption that God had come to punish them
for disobedience was itself a lie that had already defiled their
psyche as soon as they embraced the the serpent's devious
insinuations about God. All humanity has been trapped in a miasma of
lies ever since, which is why it has taken such a long time to
restore the human race from the tragedy of sin. The underlying
problem is how we perceive God that produces every other difficulty
in our lives, for every person on earth had been infected with
satanic lies about God which is why Jesus came to this world – to
challenge and defeat the lies of the devil who became the prince of
this world when Adam defaulted.
There is another example of someone
listening to their wife instead of trusting God. Abram found himself
under pressure from his wife because she had difficulty resting in
God's promise to give them a son after so many years of waiting. So
she decided that maybe what God expected of them was to help Him out
instead of simply waiting around doing nothing. That sounds familiar
doesn't it?
Now Sarai, Abram's wife, bore him no
children. She had a handmaid, an Egyptian, whose name was Hagar.
Sarai said to Abram, "See now, Yahweh has restrained
me from bearing. Please go in to my handmaid. It may be
that I will obtain children by her." Abram listened to
the voice of Sarai. Sarai, Abram's wife, took Hagar the
Egyptian, her handmaid, after Abram had lived ten years in the land
of Canaan, and gave her to Abram her husband to be his wife. He went
in to Hagar, and she conceived. When she saw that she had conceived,
her mistress was despised in her eyes. (Genesis 16:1-4)
How did this defile Abram when we
correlate this to what we read in Revelation? How did Adam become
defiled by listening to the voice of his wife? It does not solve the
dilemma by blaming women as Adam did. Rather the core issue is
whether each individual is willing to trust God more than anyone
else. This is not about gender but about heart trust when it comes to
someone offering us something that appears more attractive than
adhering to what God has already communicated to us.
The defilement itself does not come
from women, either literally or figuratively. The defilement that
ruins spiritual virginity that needs to be restored is really the
defilement of double-mindedness that James warns about in the first
chapter of his letter. This double-minded condition means that we are
holding onto contradictory beliefs about God at the same time which
renders our faith useless and disables us from being able to receive
anything God gives to us. This is the defilement caused by sin, for
sin is choosing to distrust God trust anything or anyone else above
Him. Distrust is what Jesus came to destroy, not people but lies
that defile and destroy our capacity to rest in the love of God's
passionate fire. The Lamb alone is the one who can lead us back to
trust in God. And only those willing to follow the Lamb ANYWHERE He
goes can learn this new song, for the Lamb's song is so radical that
religion does not even come close to seeing the real truth the Lamb
exposes about God.
Let me introduce another passage to our
investigation of this new song. It brings insight into the nature of
why it is so radically new in contrast to the old familiar song we
have heard all our lives.
For I didn't speak to your
fathers, nor command them in the day that I brought them
out of the land of Egypt, concerning burnt offerings or
sacrifices: but this thing I commanded
them, saying, Listen to my voice, and I will be your God,
and you shall be my people; and walk you in all the way
that I command you, that it may be well with you. But they didn't
listen nor turn their ear, but walked in their own counsels and in
the stubbornness of their evil heart, and went backward, and not
forward. (Jeremiah 7:22-24)
This resonates strongly with the
central theme throughout Hebrews 10 where it is clear that God has
never been interested in the idea of sacrifices and offerings and all
the appeasement notions those things conjure up in us. This truth is
found in both the Old and New Testaments and is not something new
really. Yet because we have refused to listen to God throughout
history, learning this song has been impossible, not because we
didn't necessarily know the truth but because we resisted the truth
in favor of lies we preferred to embrace coming from the enemy of
love.
A careful study of Micah 6 is also
highly beneficial along with a careful look at the story of Balaam
referenced in that chapter. God has been trying to get through to us
for centuries what He really wants, yet we have been so fixated on
insisting He wants sacrifice that we never learn the new song.
For I brought you up out of the land
of Egypt, and redeemed you out of the house of bondage. I sent before
you Moses, Aaron, and Miriam. My people, remember
now what Balak king of Moab devised, and what Balaam the son of Beor
answered him from Shittim to Gilgal, that you may know the righteous
acts of Yahweh."
How shall I come before Yahweh,
and bow myself before the exalted God? Shall I come before
him with burnt offerings, with calves a year old? Will
Yahweh be pleased with thousands of rams? With tens of thousands of
rivers of oil? Shall I give my firstborn for my disobedience? The
fruit of my body for the sin of my soul?
He has shown you, O man, what is
good. What does Yahweh require of you, but to act justly, to love
mercy, and to walk humbly with your God? (Micah 6:4-8)
Can we start to see the sharp contrast
between the old song and the new one yet?
But in those sacrifices there is
yearly reminder of sins. For it is impossible
that the blood of bulls and goats should take away sins. Therefore
when he comes into the world, he says, "Sacrifice and
offering you didn't desire, but you prepared a body for
me; You had no pleasure in whole burnt offerings and
sacrifices for sin. Then I said, 'Behold, I have
come (in the scroll of the book it is written of me) to
do your will, O God.'" (Hebrews 10:3-7)
Here we find refrains of the old song
and the new song in sharp contrast to each other. This transitions us
nicely into the next passage where the song is described somewhat
differently. This time there are two songs mentioned, or is it one
song with two verses? This time it is being sung on a sea of glass
and is named the song of Moses, the servant of God, and
the song of the Lamb. This provides key insights as to the
nature of this song and how its contents were developed, especially
in light of the passages we have previously noted.
I saw another great and marvelous
sign in the sky: seven angels having the seven last plagues, for in
them God's wrath is finished. I saw something like a sea of
glass mixed with fire, and those who overcame
the beast, his image, and the number of his name, standing
on the sea of glass, having harps of God. They sang the
song of Moses, the servant of God, and the song
of the Lamb, saying, "Great and marvelous are your
works, Lord God, the Almighty! Righteous and true are your ways, you
King of the nations. Who wouldn't fear you, Lord, and glorify your
name? For you only are holy. For all the nations
will come and worship before you. For your righteous acts
have been revealed." (Revelation 15:1-4)
Is the song of Moses different than the
song of the Lamb? I strongly believe it is, and it is very
significantly different. Yet those who sing the song of the Lamb
likely start out singing the song of Moses the servant before
learning the new song the Lamb introduces. Thus those who follow the
Lamb anywhere and everywhere He goes are moved beyond the stanzas
about Moses and sacrifices and excitement about defeating their
enemies to embracing a new truth as revealed by Jesus who taught we
are to love our enemies and pray for those who persecute us that we
may be like our Father in heaven. This is definitely a new song from
what most people have been taught to sing throughout history.
Note that this song of Moses has to do
with a servant mindset. Jesus said that a servant doesn't know what
the master is doing. In other words, they don't care about motives
but simply focus on obedience.
This is my commandment,
that you love one another, even as I have loved you.
Greater love has no one than this, that someone lay down his life for
his friends. You are my friends, if you do
whatever I command you. No longer do I call you servants,
for the servant doesn't know what his lord does.
But I have called you friends, for everything
that I heard from my Father, I have made known
to you. You didn't choose me, but I chose you, and appointed you,
that you should go and bear fruit, and that your fruit should remain;
that whatever you will ask of the Father in my name, he may give it
to you. I command these things to you, that you
may love one another. (John 15:12-17)
These words are directly from the Lamb.
This is the new song, very different and far more mature than the old
song of Moses where most of the focus was on obedience to rules and
winning over enemies. Even in Hebrews 11 containing a list of heroes
of faith, there is a noticeable line of demarcation where it
transitions from those using faith to win over their enemies to those
who choosing to relate differently. This is where we see a distinct
shift from the old song to a new one.
There is a potent example in Revelation
of the contrast between the song of Moses, or the old song, and the
song of the Lamb too difficult for most people to learn. It is in
chapter 19 where we find both songs being sung by the same group of
beings. A voice from the throne of God challenges the content of the
first round of music, likely because it was going off to sound too
much like the song of Moses celebrating victory over the drowned
Egyptian army after the Red Sea crossing. After being reminded that
this is no longer the song heaven prefers, it is started all over
again, and this time it is sung right and celebrates the love of the
Lamb and His lovely bride.
After these things I heard something
like a loud voice of a great multitude in heaven, saying,
"Hallelujah! Salvation, power, and glory
belong to our God: for true and righteous are his
judgments. For he has judged the great prostitute, who
corrupted the earth with her sexual immorality, and he
has avenged the blood of his servants at her hand." A
second said, "Hallelujah! Her smoke goes up forever and ever."
The twenty-four elders and the four living creatures fell down and
worshiped God who sits on the throne, saying, "Amen!
Hallelujah!"
A voice came forth from the throne,
saying, "Give praise to our God, all you
his servants, you who fear him, the small and the great!"
I heard something like the voice of
a great multitude, and like the voice of many waters, and like the
voice of mighty thunders, saying, "Hallelujah! For the Lord our
God, the Almighty, reigns! Let us rejoice
and be exceedingly glad, and let us give the
glory to him. For the marriage of the Lamb has
come, and his wife has made herself ready."
It was given to her that she would array herself in bright, pure,
fine linen: for the fine linen is the righteous acts of the saints.
(Revelation 19:1-8)
How has the wife of the Lamb made
herself ready?
She has finally learned to focus all
her attention and affections on the Lamb alone that results in a life
of righteous acts. These are not acts produced by working hard to
keep the rules meticulously but rather spontaneous acts reflective of
the character of the One she adores. She no longer has eyes for
anyone else, and she has become so transfixed by the beauty and glory
of her husband that she can no longer be distracted by any others,
including prostitutes, dragons or beasts of any kind or color. She
has come to know in her heart that the Lamb is not at all like anyone
else and does not gloat over the downfall of anyone. She has learned
the new song and she sings it sweetly and passionately. She is madly
in love.
In short, the new song that is so
potent it has the power to defeat the entire empire of evil is summed
up in the very first words of the song when it is first introduced.
They sang a new song, saying, "You are worthy..."
(Revelation 5:9) Worthy is about trust, and that is what the Lamb
came to restore – trust in our heavenly Father's heart. When trust
is restored everything else comes together easily. And trust is
restored when we see how the Lamb proves beyond a shadow of a doubt
that God is love.
This is the message which we have
heard from him and announce to you, that God is light, and in him is
no darkness at all. (1 John 1:5)
I am my beloved's, and my beloved is
mine. He browses among the lilies, (Song of Solomon 6:3)
Set me as a seal on your heart, as a
seal on your arm; for love is strong as death.
Jealousy is as cruel as Sheol. Its flashes are flashes of
fire, a very flame of Yahweh. Many waters can't quench
love, neither can floods drown it. If a man would give all the wealth
of his house for love, he would be utterly scorned. (Song of
Solomon 8:6-7)